A magnificent central role performance and some marvelous supporting voices made Palm Beach Opera’s production of Giuseppe Verdi’s Rigoletto one to admire and remember.
Returning to this 1851 mega-hit after an absence of nine years, the troupe’s A-cast mounting was led by baritone Michael Chioldi, who should be close to considering Palm Beach Opera his home company. His strong, rich, mellifluous voice keeps getting better each time he appears, and on Sunday afternoon at the Kravis Center, he unleashed an instrument that was huge and powerful from the beginning and that never lost one iota of strength.
Chioldi has been moving into the Verdi dramatic roles in recent years (he did Macbeth for Palm Beach Opera in 2104), and it suits him ideally. In his reading of the tortured man of mirth for whom his daughter is the only thing that keeps him donning the motley every day, Chioldi made Rigoletto’s anguish and fury plain.