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Michael Chioldi, who will make his debut in Pforzheim in the title role of Wagner's Flying Dutchman, sings [the Brahms Requiem's baritone role] with colored highs and noteworthy dramatic strength. His approach is altogether convincing. 

Emotionally gripping, declamatorically sure, intense and with vocal sovereignty, he contributed much to the success of this "German Requiem," as evidenced by the unreserved applause by the audience.

Pforzheimer Zeitung

Michael Chioldi sang well as the prescient Sharpless...

New York Times

...splendid support in the well-sung, well-focused, sympathetic portrayal of the US consul, Sharpless, by Michael Chioldi...

New York Post

In The Dangerous Liaisons, Michael Chioldi was most impressive as the admirable villain Vicomte de Valmont - producing singing which sensitively embraced his acting.

New York Post

"Michael, your baritone is magnificent. It is indeed the best I have ever heard or had the pleasure to write for."

Anthony Brandt
Composer

Michael Chioldi's secure and elegant Scarpia in the Te Deum from Puccini's "Tosca" was not easy to ignore.

The New York Times

Chioldi was fully up to the battle, his warm baritone deployed with great skill. His characterization of a young man with a passionate desire added great sexual tension to the Act II scene with Tosca.

Opera News

With a complex voice - a dramatic and powerful center given extra drama by a certain edge - and an equivalent stage presence, Chioldi is magnificent. His Scarpia is a study of all that can go wrong with the human soul, yet presented in splendid form.

Other characters pale in comparison...

Toledo Blade

The measure of any Almaviva is the opera's final aria. Chioldi beautifully pours out one heartfelt strain after another.

The Chautauquan Daily

 

 

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